Hands Off My Cuntry

Undercurrent Projects, NYC, Jan 11-22, 2017

Dear Trump,

We are a group of artists concerned you and your administration will be dismantling some important laws when you take office on the 20th, especially a 43 year old one called Roe vs Wade. As you know, this law protects the welfare of women. It ensures the safety of women when they need help the most. Being a father of women we hope you understand the importance of keeping this law on the books when you take office and in the next 4 years. The last thing American women need is to fall behind in healthcare with no place to go for help. Defunding Planned Parenthood is not the answer. The last thing American women need is to go back in time to the back alley abortion and possibly die from not having proper care. The last thing we need is America to take a big step back. Going forward is the only way. In all honesty, we sympathize with your need for “pussy grabbin’ and we are sure you would enjoy this show since it involves a lot of pussy and grabbin’. In fact we welcome you to stop by and see the show for a much deeper appreciation on this matter. However, in the end it is a plea from us to you to keep your hands off our cuntry.

Thank you,
Mike Cockrill, Lapis Danado, Annique Delphine, Courtney Frances Fallon, Adam Handler, Jones the Savage, Morgan Jesse Lappin, Joanne Leah, Nikki Peck, John Phelan, Alexandra Rubinstein, Savannah Spirit, Undercurrent Projects and all people who believe in women's rights.

Thank You, Obama, by Alexandra Rubinstein, oil on panel, 2016

John Phelan (born 1969) is an artist and collector from Greenwich, Connecticut. Drawing from an archive of over 12,000 vernacular photographs assembled over the past 15 years, he investigates the mystery and sudden beauty of the found object and its possibilities. He is the co-creator of The Anamorphosis Prize which recognizes excellence in self-published photobooks and founder of flâneur, a publisher of limited edition book-objects.

Untitled is an fleshy examination of a 1980s orgy scene that simulates the experience of what remains in the mind's eye when the lights are switched on for a brief moment in a darkened room and asks if content is truly a glimpse. 

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